Sunday, March 22, 2020

soon


soon 

soon our children will be grandparents 
some of us will be forgotten 
our bodies will turn into trees 
history will ride the breeze 
memories will whistle in the wind 
wrestle through the leaves 
leaves will fall to the grass 
the past will grow on the floors of dense woods 
our children will follow our paths 
some pass through apple orchards 
some tortured paths will lead back to tortured paths 

soon I will come to pass 
through the spyglass 
kaleidoscope stained glass dances in the contrast of the invisible sun 
it seems this day has barely begun 
I already breathe in the afternoon 
my lungs fill like balloons 
a purple one 
a blue one 
tomorrow seems close at hand 
yesterday seems years away 
eternity not far away 

I will soon be old with cane 
cold with pain 
behold the strain in my spoken choice 
the dust in my old broken voice 
rust in my veins 
rusty chains restrain the balloons in my chest 
my breath dressed in Sunday’s best 
June
my heart naps, eternal rest  



Saturday, September 1, 2018


table, apple, sky
I live for security, my retirement plan and medical insurance.  Tomorrow is the only thing that scares me.  The lack of ability to plan scares me the most, tomorrow does not exist.
We met in the US Army, Fort Stewart GA, and when Alicia ended her military service, we were married, I reported to South Korea and she was thousands of miles away, I missed my best friend.  We were able to get stationed back in California, to be close to my brother and my mom.  We then received orders to report to Germany.  I got out of the service, we moved back to California, finished school and went to Louisiana.  We settled in Pittsburgh, PA around 2003 to be close to Alicia’s family.  We bought a house, dreamed of building a darkroom and decided we can travel in the warm months and take photographs.  Alicia would become a master printer and we would make the prints during the cold months.  This past July, we celebrated 25 years of marriage and I am truly the lucky one, she still likes me most days. 
In 2011, Alicia and I were in a doctor’s office.  The Neurologist said, I have three words I want you to remember, and at the end of our appointment, I will ask you what they are again: table, apple, sky.  She was falling a lot and at this point, confined to a wheelchair.  The Army denies that her rare neurological condition, stiff person’s syndrome, is connected to her time in service though her unit was in the exposure area to chemical agents resulting from the demolition of Iraqi weapons at Khamisiyah during the Gulf War.  At least two other members of her unit have this same condition, and the challenge was to remember three words.  Neither of us remembered the three words that day, I remember them to this day and today we still fight for a service connection. 
We are lucky and have spent most of our lives trying to do the things we love, like pebbles in a slow moving creek, life is wearing us down.  I work to make sure we have medical insurance, wish away all my Monday through Fridays trying to get work done at work and chores done at home.  She sleeps most of the day with her medications, reading and being tired from regular assertions.  We are close to fifty years old and missed enjoying the mid life crisis, we are now in the middle of a mid life clarity.  We took out all the nice dishes from the china cabinet and now buy the higher quality items we like.  She has fought like hell and now uses just a walker, she is the strongest person I know.  We know that air has healing quality and are trying to transition to a lifestyle that can connect us to the open skies, the open road.
The world is still imperfect, life is flawed, time changes slightly, each day a new normal of some of the same old things.  Tomorrow may be a new normal I have not prepared for, I am afraid tomorrow will damage our existence beyond repair, broken and shattered on the floor and no amount of effort will be able to put us back together again.
Embracing flaws or imperfections is the Japanese philosophy of Wabi-Sabi.  It serves as a rationale for keeping an object around even after it has been broken and as a justification of kintsugi.  Kintsugi “golden joinery” is the Japanese art of repairing broken pottery with gold, silver, or platinum.  As a philosophy, it treats breakage and the repair as part of the history of an object, rather than something to disguise, highlighting the cracks and repairs as simply an event in the life of an object rather than allowing its service to end at the time of its damage or breakage.
There is no attempt to hide damage, the repair is illuminated becoming an expression of the spirit of mushin (literally translated as "no mind").  It carries the connotations of fully existing within the moment, of non-attachment, of mental calmness and composure amid changing conditions.  There is an unwelcome circumstance of existence over time, to which all humans are susceptible, these become clearer in the breaks and the shattering to which the ceramic ware was subjected. This poignancy or aesthetic of existence is known as mono no aware, a compassionate sensitivity, identification with the things outside oneself (paraphrased from wikipedia).
We have so many golden seams of kintsugi in our life.  Each golden seam illuminates a path we have taken, or a path that has been given.  Our next path includes a camera and a new RV trailer, an Airstream, a home for the open road, golden joinery, each highway a hallway, each national park a living room, golden sunsets, each golden sunbeam a seam, a seam that combines our life into a bowl, a fruit bowl, a bowl half full, full of apples, some green and sour, others red and sweet, and the fruit bowl sits on a picnic table at a national park, under an open sky, a blue sky: table, apple, sky...

Wednesday, May 2, 2018

stereoscopic beginning

the ending of a 8X10 Kodak field camera

 
in an effort to capture unlimited depth of field, I have begun building my stereoscopic pinhole camera.  the funny thing is, this looks like a perfect ending, though it is a beginning, it was successful making a picture though only one image was in stereo.  it will now be time to tear it all down and make a few adjustments.  once it is finished, there will be an 8X10 negative with a total of 3 stereoviews that can be contact printed.  the future then will involve cyanotype in stereo-stereo.
 



 

six pinhole cameras in one, .0126" f228










the end of the beginning


Tuesday, April 17, 2018

Midori Hyohaku-sha

Midori Hyohaku-sha is Japanese for "green wanderer."  We have updated our name.  We will soon be wandering.




Friday, November 25, 2016

Invisible Statues









First and foremost, if you have any information, please contact local authorities or PA crimestoppers:  https://www.crimewatchpa.com/crimestoppers/316

The prints represent the last landscape my neighbours may have seen during their death (homicide).  Two murders were 426 steps away from my home and the rest were less than one mile.  Each print is titled with the name of the murder victim, including their year of birth and year of death.  The first print (Welcome to North Braddock) is titled with a quote from Dr. Martin Luther King Jr., "Our lives begin to end the day we become silent about things that matter."  The last photo is an attempt of a close up to get some of the detail(s) of where the print folded back on itself (a veil type of effect like in mordancage).  There are a few pictures of the home made pinhole camera on a previous blog post that I used and built from things I found in my basement. There are also pictures on a previous blog post of the artist statements of which I designed and hand silk screened.  
     
Invisible Statues
Gravity intersects with mortality.  Time is marked when a murderer meets their victim, each second held in place by magnetism.  You can see their silhouettes, if you walk slow enough.  Each photo is an invisible portrait, each shares the last landscape another human being may have seen, each landscape captures two invisible statues, absorbed in infinite decay, stillness without pause, invisibility.
Baptism
Each print represents the death of a neighbour.  The prints were washed for five days. I gently removed each print from the water, the silver pulled away from the print, like skin from bone, and the fragile perspective of the print changed, controlled annihilation and divine intervention, the lines remind me of migraines, I have never died before, I know what it feels like to be invisible.  
Amelia Roman, homicide, open case
b1923 d2016
Desmond Nowlin, homicide, open case
b1994 d2015
Vernon Rogers, homicide, open case
b1998 d2014
Derrail Roilton, homicide, open case
b1989 d2013
Jamal Aki Holyfield, homicide, open case
b1991 d2009
Anthony Tamsula, homicide, open case
b1984 d2009
Taken with home made pinhole 4X5 camera. Ilford FP4 Plus 125. F228 1 to 4 seconds. Developed D76 11 minutes and fixed for 7 minutes. Ilford 8X10 MGFB Classic Matte. Saunders, using a 135mm lens, f11 for 12 to 14 seconds with an Ilford 2 filter, developed 90 seconds, stop 10 seconds and fixed for 3 minutes. Washed print facing downward (non-running water) in developing tray for 5 days.




Polaroid Frame




Thursday, November 17, 2016

Ceramic studio, The Braddock Carnegie Library

a ceramic mould for ceramic wings 
 

 "A man with no imagination has no wings," Muhammad Ali